In addition to its utter lack of ambition and originality, “The Exorcist: Believer” is also aggravatingly edited. Friedkin’s film was a masterwork of savvy pacing and its use of silence to express…
In addition to its utter lack of ambition and originality, “The Exorcist: Believer” is also aggravatingly edited. Friedkin’s film was a masterwork of savvy pacing and its use of silence to express…